A Phase Two canvas in the Genomic Works sequence,
Harriet Tubman moves with quiet complexity. The vertical bands thread floral ornament, circuitry, metallic gradients, and a lavender-toned portrait that floats near the center—soft, contemplative, and emotionally suspended.
The Tarot card appears as the Page of Pentacles—drawn in green against pink, holding a star-like object. It reads as a signal of study, potential, and grounded curiosity. Nearby, a Victorian dress rendered in pink and blue interrupts the abstraction with historical texture—part costume, part echo.
The canvas doesn’t resolve into narrative. It drifts between memory and infrastructure, ornament and trace.
Harriet Tubman becomes a site of quiet persistence, where presence is felt through layering, and meaning flickers across time and form.
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