Marie Laveau
from Genomic
24" x 36"
acrylic on canvas
2007
Private Collection, Breckinridge, Colorado
Exhibitions
Bering & James, Houston, Texas, Genomic, November 2 - 23, 2007
This canvas carries the name Marie Laveau, the famed New Orleans Voudou priestess. The portrait band features a woman rendered in vivid blue and pink tones—stylized, serious, and unflinching. She is not Laveau herself, but she channels a similar energy: mythic presence, spiritual intensity, and the quiet authority of someone who sees beyond the surface.


The Tarot card in this canvas is the King of Cups, a figure often associated with emotional depth and intuitive power. Its presence reinforces the canvas’s themes of mysticism, legacy, and the unseen forces that shape identity.


Surrounding the portrait are vertical bands filled with crowned motifs, medieval iconography, floral textures, and metallic gradients. These elements suggest a fusion of ritual, royalty, and modern design—echoing the layered inheritance of cultural memory and personal experience. The shimmering genomic bands remain, abstract and unreadable, anchoring the canvas in the logic of the series.

Marie Laveau doesn’t settle into a single reading. It flickers between myth and icon, ritual and pop. The crowned motifs and medieval figures suggest inherited power, while the portrait pulses with contemporary intensity. It’s a canvas that conjures—not just ancestry, but presence. Not just genetics, but charisma. The work doesn’t explain itself; it casts a spell and leaves you to interpret the residue.