Martyr
from the History of Rock & Roll
24" x 24"
acrylic  and rhinestones on canvas
2010
Exhibitions
Bering Art Collective, Houston, Texas, The History of Rock & Roll, October 9 - 30, 2010
 
Martyr is a tribute to the musicians whose lives were cut short, yet whose legacies continue to shape the soul of rock & roll. The canvas evokes both glamour and grief—an elegy wrapped in pop iconography.


At the center, a white Cadillac floats like a ghost of fame, stylized and gleaming, yet frozen in time. It’s a symbol of arrival and departure, of the American dream and its cost. Surrounding it, roses bloom in vivid pinks and reds—emblems of beauty, mourning, and mythic remembrance. Their neon outlines pulse like stage lights, or like the aura left behind by those who burned too brightly.


In the upper left, a halftone eye emerges—a retro-textured witness to history. It watches silently, perhaps omnisciently, as fame and mortality collide. Is it the eye of the media? The public? Or something more mythic—an all-seeing eye that records the sacrifices made in pursuit of transcendence?


Martyr doesn’t name its subjects directly, but their presence is felt: Janis Joplin, Jimi Hendrix, Jim Morrison, Kurt Cobain, Amy Winehouse, and others whose deaths became cultural turning points. The fragmented text and layered textures suggest a media-saturated memory—headlines, obituaries, and echoes that never quite fade.


This canvas is not a eulogy—it’s a shrine. A visual requiem for artists who became immortal by vanishing too soon.