Transmutation
from the History of Rock & Roll
48" x 50"
acrylic  and rhinestones on canvas
2010
destroyed 2020
Exhibitions
Bering Art Collective, Houston, Texas, The History of Rock & Roll, October 9 - 30, 2010
Cohn Drennan Contemporary, Dallas, Texas, 387 km, December 1, 2012 - January 5, 2013
Nicole Longnecker Gallery, Houston, Superstition, July 12 - August 9, 2014
 
Transmutation marks the cultural tipping point in The History of Rock & Roll—the moment of zeitgeist, when the music becomes all-access, mythic, and uncontainable. It’s not a date on a timeline, but an intangible shift in space and spirit. A leap that can’t be pinned down, but is universally felt.


At the top center, a pole vaulter arcs through the air—cresting the bar, suspended in a moment of ecstatic ascent. Around him, flowers burst forth, airplanes scatter, and lightbulbs dangle like ideas mid-ignition. The right edge is bordered by warning stripes, signaling urgency and transformation.


At the base sits Sarasvati, Hindu goddess of music, knowledge, and creative flow. Her veena is a cosmic transmitter, grounding the chaos above in divine rhythm. She watches—not passively, but as the source of the unfolding.


The title Transmutation speaks to the shift: from rebellion to revelation, from subculture to shared myth. Rock & roll has changed form—not diluted, but elevated. It has become something more valuable, more universal, more alive.